Conference Day 1 – Thursday 23 April

Location: Cité des Arts

Time

Programme

8.00 – 8.30

Conference registration – Coffee & tea

8.30 – 9.00

Welcome to MOCO’26 – Patrice Guyot – Grégoire Bosselut – Director CDA

9.00 – 10:30

Doctoral Consortium: MOCO Emerging Scholars

Chairs: Théo Velletaz, Martin Leguennec

5 min + 2 min Q&A

·       Brenda San Germán Bravo. Body-Informed Effects for Supporting Emotional Self-Regulation in a Mixed Reality space

·       Théo Dupuy, Victor Lopes de Souza. Cautious predictions to support decision makers in movement-related areas.

·       Lili M. Rampre. Cyborg Sensing: A Kinotechnic Inquiry into the Epistemic Infrastructures of Movement and Perception.

·       Léo Chédin. Exploring Choreographic Processes Involving AI.

·       Atilla Juliana Vrasdonk et al. Kinetic Energy and Flow in Co-Improvising Flamenco Dyads.

·       Romaric Sichler. Learning to Teach Gestures: Adaptive Feedback for Human–Machine Co-Learning in craft.

·       Léo Mercier et al. Movement Sonification Integrated to Rehabilitation-Readaptation.

·       Roos Van Berkel. Moving with Care: The Agency of Digital Movement in Socio-Material Practices.

·       Botao ‘Amber’ Hu. On Improvisation and Open-Endedness: Insights for Experiential AI.

·       Hanna Zhu. The Posthuman Fusion: Human-AI Co-creation for Movement Arts incorporating Embodied Affect and Cultural Intent.

·       Hadil Abba et al. The Sense of Touch in Healthcare HAPTIMED: A Digital Twin of Haptic Perception for Educational Purposes –

10.30 – 11.00

Coffee Break

11.00 – 12.30

Paper Session #1 – Embodied Interaction, Movement & Perception

Chair: @

12 min + 3 min Q&A

·       Lottridge et al. Moving Contexts: How Culture, Context, and Movement Histories Shape Whole-Body Interaction in Aesthetic Environments

·       Preisler et al. When Bodies Resonate in Sound: Sonifying Interpersonal Movement Dynamics in Dance

·       Weber et al. Dynamic Abstract Avatars Impact Dancers’ Sense of Embodiment and Movement Choices

·       Mardamootoo. Moving Through Volume

·       De Blanc. Weight-sharing trust and wooden floors: Identifying moderating factors in physically integrated dance

• De Blanc et al. Automatic and perceptual assessment of motion coordination in dyadic dance

12.30 – 14.00

Lunch Break

14.00 – 15.30

Paper Session #2 – Dance, Choreography & Creative Practice with Technology

Chair: @

12 min + 3 min Q&A

·       Rajko et al. Choreographic and Improvisational Approaches To Interrogating Robotic Systems

·       Correia et al. Fantasies, Obscurities and (Dis)Connections: Three Case Studies of Dance Artists’ Creative, Embodied and Political Engagement with AI

·       Hou. Playing the Museum: The Body as Interface with Central African Traditions

·       Stergiou et al. Digital Queens: A case study on cloth simulation, motion capture and XR technologies for addressing costume-choreography challenges

·       Baltas. Extending the Site: XR modalities for Site-Specific Dance – A Comparative Study of XR Technologies in Studio-Based Practice

·       Sicchio. p5score: A Computational Framework for Choreographic Notation and Real-Time Movement Composition

15.30 – 16.00

Coffee Break

16.00 – 18.00

Practice Works and Posters

Practice Works #1– Chair: Julien Laroche

·       START: Science, arT, reseARch and Transgression

·       PosePilot-GOM: A Web-based application for dexterity analysis of human movement

·       A pen “IMU inside” : a Sensor-Enhanced Pen for Exploring Sound While Writing

·       PosePilot-Ergo: A web-based application for ergonomic analysis and human motion quantification

·       PyEyesWeb: An open source toolkit for multimodal movement feature extraction

·       Drifting Bodies Through Algorithms

Poster #1 – Chair: Stéphane Perrey

·       Gasparotti et al. Effects of cognitive-motor training in virtual reality on anticipatory brain functions and balance of professional dancers

·       Lozano-Goupil et al. Video-Based Motion Capture and Social Signal Processing for Detecting Psychosis Risk

·       Rokeby et al. Enriching the Kinematic: Approaching New Methods for Machine Learning with Bodies That Move at the Edge

·       Zhu. How AI Leads in Creative Practice: From Mentorship Dialogues to Extended Narratives

·       Whatley et al. Dance, disability and robots: interdisciplinary possibilities for reframing ‘healthy bodies’ in performance

·       Chiu. Embodied Ethics in Digital Futures: Choreoethics and Motion Capture in Digital Dancescapes

·       Ayache et al. The Choreography of Thought: How Interpersonal Coordination Reveals Shared Cognition

·       Sutton-Chanari et al. On the fractal complexity of sacrum motion during walking

·       Ioannis. Musicians’ Movement Repertoires and Emergent Coordination: Scapular Kinematics, EMG, and Struggle in Higher Music Education

·       Zhang. Reframing Human–Machine Movement through Laban Spatial Logic: Toward a Temporal and Embodied Framework of Relational Vitality

·       Daveau et al. Embodied Gestures: recognizing static hand movements with lightweight neural models

·       Taleb-Salah et al. Motion Capture for Ergonomic Assessment: Inertial vs. Computer Vision Based on YOLOv11

·       Pyaraka et al. Humanoid Robot Navigation in Shared Care Spaces: A Human-Aware Navigation Framework and ImplementationHumanoid Robot Navigation in Shared Care Spaces: A Human-Aware Navigation Framework and Implementation

·       Chafik et al. IMU-Based Detection of Load Carriage for Ergonomic Risk Assessment

·       Lahya et al. Deep Learning for Physical Load Estimation: Insights from ViLoad Video Dataset

19.00

Evening

Gala

Conference Day 2 – Friday 24 April

Location: Cité des Arts

8.30 – 9.00

Conference registration – Coffee & tea

9.00 – 12.00

Practice Works and Posters

Practice Works – Chair: Patrice Guyot

·       Tethered: Biophysical Sensing toward Affective Somatic Integration

·       Holding Time Main-Tenant as a Practice of Palliative Health

·       Creative Movement Hacking: Can We Combine Ideokinesis and Immersive Technologies to Enhance Embodiment?

·       Creativity Tools for Movement-based Artistic Practices in Extended Reality: Performances based in Fantasticos

·       The Emergence of a Dance: A Sensitive Experience of Movement

·       The Z of Touch: Crystallizing the Interoceptive Axis of Blended Touch

Poster #2 (10:00 – 12:00) – Chair: Stéphane Perrey

·       Kobayashi et al. GenreMix Analyzer: Visualizing Probabilistic Composition of Dance Styles for Supporting Dance Learning

·       Laroche et al. Multi-agent Coordination in Shared Hybrid Spaces – How Digital Environments and Adaptive Agents Shape Collective Embodied Timing

·       Skjeldal et al. Studying Embodied Expression in Drumming for Virtual Systems

·       McKendrick et al. Don’t Let Me Be Misunderstood: Guiding Acting Practice through Negative Robot Behaviour and Contextual Intentions

·       Grebel et al. Battles as Interactive Ecologies: Designing with Embodied Roles in Hip-Hop Performance

·       Glover et al. Sample entropy analysis of variability in sit-to-stand-to-sit movements of people with or without chronic pain

·       Faux et al. Dynamical 2D-DFA for movement analysis in obstetrics

·       Bosselut et al. Exploring multimodal neurophysiological synchrony and behaviour in choir performance: a preliminary study.

·       Neville. Agiles: Creativity and Mobility through embodied participation in Immersive Environments

·       Vincs et al. Virtual Volumetric Bodies Interacting with Squishy Balls and Shiny Fish: Towards a more inclusive XR interaction system

·       D’adamo et al. SoniFootsteps: Movement-Triggered Footstep Sounds to Modulate Body-Weight Perception, Gait and Emotion

·       Soga and Sra. VR Dance Puppet: Movement Creation by Controlling Partial Body Parts Using a VR Device

·       Stein et al. Tapxophone: Towards Engaging Finger Rehabilitation using Computer Vision and Music

·       Hollerweger et al. Streaming Open Sound Control data from a commercially available IMU suit in real time for performative sonic arts projects

·       Gong et al. DVF-Generator: A Physics-Aware Conditional Generative Model for Respiratory Motion Synthesis in Liver SPECT

12.15 – 13.30

Lunch Break

13.30 – 15.30

Paper Session #3 – Machine Learning, AI & Generative Systems for Movement

Chair: Gérard Dray

12     min + 3 min Q&A

·       Lawrence et al. Interactive Machine Learning can recognise complex movements, but does it make us happy?

·       Yang et al. Designing Generative AI for Real-Time Multi-User Interaction in Co-Creative Dance

·       Faurent et al. Learning Human Rhythmic Movements: Adaptive CPGs for Synchronized Virtual Agents

·       Akbas et al. Cross-Modal Retrieval-Augmented Generation for Craft Gestures Learning: Enabling Dialogue with Multimodal Pedagogical Contents

·       Trolland et al. Exploring Movement-Led Co-Design for Interactive Lighting in Performance

·       Beller. Exploring “Synekinian Pairs”: Manual-Vocal Gesture Integration in Experimental Contexts

15.15 – 16.30

Keynote #1

A. Refsum Jensenius / L. Bishop – Chair: J. Laroche

50 min + 20 min – Title

16.30 – 17.00

Coffee Break

17.30 – 19.00

Performance Promenade

·       ZAGHAREED: A Human and AI Co-Created Film Extending a Dance

·       The origins of intelligence: A performative statement on the primacy of movement

·       Real-Time Full-Body Multi-Player Interaction with AI Dance Models

·       Performance of “SensualMap 2.0 Meets The Source”

·       The Emergence of a Dance: A Sensitive Experience of Movement

·       The Body Knows the Pattern: A Performance System Exploring Gesture Mapping and Embodied Rhythm

·       The mv lab spatial trainer MR demo

·       Sonification of dance during the performance promenade

·       Anonymous – A Participatory Installation for Creative Improvisation

19.00+

Dinner on your own

20.30

Conference Day 3 – Saturday 25 April

Location: Cité des Arts

8.30 – 9.00

Conference registration – Coffee & tea

9.00 – 10.30

Paper Session #4 – XR, Virtual Environments & Multimodal Interaction Systems 

Chair: @

12 min + 3 min Q&A

●        Gaugne et al. Blow based collaboration in a digital art virtual environment

●        Saint-Cast et al. A Full-Stack Web-Based Ecosystem for Movement–Sound Interactions

●        McKendrick. Mask Work and Performance Techniques for VR Embodiment

●        Guo et al. Liquid Connections: Reimagining Social Touch in Virtual Reality

●        Brendel et al. Low-Latency Real-Time Volumetric Reconstruction for Interactive and Dynamic Stage Productions

●        Odonnell et al. Gesture Mapping for Embodied Rhythmic Expression: A Case Study on Expressive Affordances

10.30 – 11.00

Coffee Break

11.00 – 12:10

Keynote #2

V. Cochen De Cock / B. Bardy – Chair: J. Laroche

50 min + 20 min – Title

12.15 – 13.30

Lunch

13.30 – 15.00

Paper Session #5 – Human–Robot Interaction & Bio-Inspired Systems

Chair: @

12 min + 3 min Q&A

·       Duer et al. Scylla System: Conflict, Resilience, and Fragile Vitality in Human–Drone Performance

·       Ouhssain et al. Reinforcement Learning with Musculoskeletal Models to Study Fatigue Effects on Human Muscle Synergies

·       Alcubilla et al. Designing Relational Care: Speculative and Participatory Approaches to Movement-Based Human-Robot Interaction through the Performing Arts

·       Guevara. Reflections: Health, Technology, and the CCL Experience

·       Hu et al. “We Move Like an Octopus”: Exploring Decentralized Tentacular Coordination via Inter-Bodily Electromyostimulation Relays X

·       Neuhauser et al. Estimating Piano Piece Difficulty via Embodied Robotic Hand Performance Analysis

15.00 – 16.30

Practice Works and Posters

Practice Works – Chair: Leonardo Montecchia

·       Interactive Dance Performance as a Dialogue: Choreographing through Sound and Grief

·       Gone Fabulous VR: Virtual Reality Installation through Choreographic Process

·       SyncOff™ A Speculative Symposium on Coordination Collapse

Poster #3 – Chair: Stéphane Perrey

·       Tadayoni et al. SensualMap 2.0 Meets The Source

·       Di Donato et al. British Sign Language in Embodied Music Interaction: An exploratory study of British Sign Language music interpretation

·       Marin-Bucio. Machinic Movement Matrix: A framework and tool for human-AI dance creation

·       Ardaiz et al. Teams of Sport Science and Computer Engineering Students Learning Together

·       Siman. The Recorded Performance as Virtual Event: Archival Vitality in Preljocaj’s Swan Lake

·       San German Bravo et al. Laban Inspired Visual Effects Influence Perception and Movement

·       Kolokotroni et al. Illuminating Emotions: Evaluating the Emotional Impact of Lighting on Animated Characters in Animation and Video Games through Motion Capture

·       Akbas et al. Reflective Embodiment through Avatar Abstraction: Insights from Movement Practitioners

·       Kantan. Beyond Deterministic Mappings: Audiovisual Correspondence in Movement-Controlled Generative Music

·       Corbellini et al. Slow Mood, Aesthetic Resonance, and Embodied Interaction: Design Principles for Art-Aided Rehabilitation

16.30 – 17.30

Paper Session #6 – Movement Analysis, Motion Capture & Computational Modeling

Chair: @

12 min + 3 min Q&A

·       Pilkov et al. Estimating Pianists’ Hand and Finger Kinematics with Markerless Motion Capture

·       Pataranutaporn et al. Phylogenetic Tree of Dance: Computational Reconstruction of Movement Lineages Through Motion Capture Analysis

·       Laroche et al. Designing Shared Diminished Realities for Collective Motor Creativity – Principles and Experiments

·       Serdar et al. Mixed Method Audio-Video Analyses of Felt Togetherness in a Networked Music-Dance Performance

17.30 – 18.00

Ending Remarks – Closing MOCO 10th

18.00

Jam session

ARTWORKS

• Live performances
• Dance
• Music
• Theater
• Performance art
• Internet-based performance

        INSTALLATIONS

• Interactive installations
• Projections
• Kinetic sculptures
• Virtual reality and immersive video

DEMOS

• Games
• Technology demonstrations
• Movement tracking systems
• Wearables
• Robotics
• Video presentations

        WORKSHOPS

• Open-ended movement improvisations
• Movement choirs
• Physical practice sessions or tutorials

• Cultural movement practices and technology 
• Dance and technology 
• Entrainment and movement 
• Embodied cognition and movement 
• Embodied interaction 
• Full body interaction 
• Gesture and sound 
• Individual and group movement capture 
• Interactive, experiential performances and installations 
• Learning detection through bodily movement 
• Machine learning for movement 
• Mechanisms of coordination dynamics 
• Movement analysis and analytics 
• Movement and sound interaction 
• Movement as a proxy of human brain 
• Movement in social interaction 

• Movement computation in education 
• Movement computation in ergonomics, sports, health and industry 
• Movement expression in avatar, artificial agents, virtual humans or robots 
• Movement notation systems 
• Movement visualisation and sonification 
• Music and movement 
• Philosophical perspectives on movement and computing 
• Sensory augmentation of movement 
• Sensori-motor learning with audio/visual feedback 
• Surveillance and biometrics 
• Tangible interaction 
• Technique analysis 
• Theoretical approaches to movement understanding 
• Telepresence and togetherness 
• Wearable devices for movement tracking 

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